Note, appunti, suggerimenti, consigli e perché no, ricette, richieste, ecc.

Hello everybody there!

venerdì 11 novembre 2011

News, news, news!


Just few words to let everybody know that we are arranging several events, meetings, activities, courses, trips for all of you, dear students... even if you never read this poor blog.
Anyway a lot of work is getting closer and closer... to you, like little candlelights in the stream of a river. Get one of them, make it light your life and don't let the sparkle fade away, but make a fire out of it!
Please, join in the reading club and the other interesting we are planning for this year and
Have a nice schoolyear, my dear!

giovedì 7 aprile 2011

Welcome back!

After a while, here we are again!
Hamlet is on his way, while Frankenstein has already reached his end...
Now I'd like to tell my students another story, dealing with freedom and books.

As they have done a lot to help with the restoration of our school library, I think it would be
appropriate to let them know the novel by Ray Bradbury, Fahrenheit 451, leaving them the chance to find some quotations both from the book and the film.
Mine are only suggestions... have a look and please, leave your comment

domenica 20 febbraio 2011

culture is your freedom

To develop your mind and open it wide and grow it free and curious
you need to make up your own ideas.
Read, listen to music, watch films, pay attention to other people's stories,
keep the memory of your ancestor's facts, do anything that makes your thought free.

giovedì 10 febbraio 2011

FRANKENSTEIN


The novel ‘Frankenstein’ is about a man who creates a creature made up of different people’s bodies. ‘Frankenstein’ is not the monster that everyone thinks it is. It is just the creature which was created by Victor Frankenstein. At the time he thinks that the creation is beautiful and clever, but as the creatures eyes open he realizes what he has created. All of this reflects on what was happening in real life because at that time scientists were just discovering, and obsessed, with electricity and how it could potentially bring people back to life. Mary Shelley was writing the novel while this was going on. Mary Shelley shows that Victor enjoys nature and is fascinated by its power. He witnesses a powerful thunderstorm and becomes interested in what electricity was. He realizes that electricity can be harnessed as power because it has the power to create or return life to dead bodies. Mary Shelley wrote this book as a warning to scientists, trying to show the consequences

of playing with electricity and trying to play God. Scientists at that time were trying to conduct experiments on people to try to revive them after they had passed away. Victor became fascinated with creation whilst he was attending university; his classes involved dissecting dead bodies and studying composition. It was at this stage in Victor’s life that he became obsessed and stayed up well into the night working with dead bodies. This is how Victor started, gradually, creating a man. While he is doing this he slowly isolates himself from society, even from his father and family. He only thinks of achieving his ambition and nothing else.
This chapter is a crucial moment in the novel because it is the chapter in which the creature is created. From the very start of the chapter Mary Shelley indicates that Victor isn’t delighted with achieving his ambition. She uses different types of language including negative weather imagery, “It was on a dreary night”, “the rain pattered...


FRANKENSTEIN - Chapter V - The creation

IT WAS on a dreary night of November that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.

How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful! -- Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips.

The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured; and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain: I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her; but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed: when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch -- the miserable monster whom I had created. He held up the curtain of the bed and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped, and rushed down stairs. I took refuge in the courtyard belonging to the house which I inhabited; where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.

Oh! no mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived.

I passed the night wretchedly. Sometimes my pulse beat so quickly and hardly that I felt the palpitation of every artery; at others, I nearly sank to the ground through languor and extreme weakness. Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!

Morning, dismal and wet, at length dawned, and discovered to my sleepless and aching eyes the church of Ingolstadt, white steeple and clock, which indicated the sixth hour. The porter opened the gates of the court, which had that night been my asylum, and I issued into the streets, pacing them with quick steps, as if I sought to avoid the wretch whom I feared every turning of the street would present to my view. I did not dare return to the apartment which I inhabited, but felt impelled to hurry on, although drenched by the rain which poured from a black and comfortless sky.

I continued walking in this manner for some time, endeavouring, by bodily exercise, to ease the load that weighed upon my mind. I traversed the streets, without any clear conception of where I was, or what I was doing. My heart palpitated in the sickness of fear; and I hurried on with irregular steps, not daring to look about me:-

"Like one who, on a lonely road,
Doth walk in fear and dread,
And, having once turned round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

mercoledì 9 febbraio 2011

Hamlet, Act III, Scene 1



HAMLET: To be, or not to be--that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep--
No more--and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wished. To die, to sleep--
To sleep--perchance to dream: ay, there's the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry
And lose the name of action. -- Soft you now,
The fair Ophelia! -- Nymph, in thy orisons
Be all my sins remembered.



We all are fans of Mr Shakespeare

This post is just to help my students with the lessons and maybe let them find some more about what we are doing in class. Any kind of suggestions or advice is more than welcome.